All posts by ImagesMusicales

Sympathy For The Devil

Sheet music cover for "Four Conceits" by Eugène Goossens
Four Conceits‘ by Eugène Goossens, published by J. & W. Chester (London, 1918) and illustrated by M. Tempo.

In 1893 the English composer Eugène Goossens was born into a musically gifted family. His parents and his siblings were all renown musicians. His grandfather, from Bruges in Belgium, was a famous conductor and had moved to England in 1873.

The first movement of Eugène Goossens’ Four Conceits is The Gargoyle. Eugène’s younger sister the harpist Sidonie remembers that “When he was 11 years old … he always loved to draw pictures with gargoyles. He had a sort of mania about gargoyles.” He did not draw this nice cover though, it is by M. Tempo, an illustrator we know nothing about.

His brother Leon Goossens was considered among the premier oboists in the world and although not known as a composer he wrote a march dedicated to Brussels boaters.

Sheet Music Cover for 'Marche des Canotiers' by Léon Goosens
Marche des Canotiers‘ by Léon Goossens. Published by Jeanne Moens (Bruxelles, s.d.), unknown illustrator.

After conducting US orchestras for nearly a quarter of a century, Eugène Goossens became the conductor of the Sydney Symphony in 1947. In Australia he established himself as a distinguished celebrity, earning even more than the prime minister. He also initiated the founding of the famous Sydney Opera House.

In his private live he had a lifelong interest in pantheism and the occult. Sadly this would become his downfall when in the early fifties he met the Australian artist Rosaleen Norton who had achieved scandalous notoriety as ‘the Witch of Kings Cross’. Kings Cross was Sydney’s seedy night entertainment and red-light district. There Rosaleen led a bohemian lifestyle together with her younger boyfriend, the poet Gavin Greenlees. Their small flat, in a derelict house, was decorated with occult drawings and a clumsy altar embellished with a painting of Pan and a set of stag’s antlers.

Rosaleen Norton 1943, by Ivan, for PIX Magazine, from photographic negative, State Library of New South Wales. Source: Wikipedia.

In 1952 The Art of Rosaleen Norton was published combining her (erotic) drawings of pagan gods and demons with the poetry of her lover Greenlees. The book was banned in New South Wales on the grounds of obscenity, import in the US was forbidden, and an Australian court ordered that two of the drawings had to be removed from all existing copies. This brought the book extensive media coverage. After reading it Eugène Goossens thought he had found kindred spirits and he wrote to Rosaleen. They met for tea at her sleazy flat and soon began to see each other regularly.

At that time, Eugène Goossens lived in a stylish house in Sidney with his third and much younger wife. She was a concert pianist and often away on tour, leaving Eugène —now nearing sixty— alone at home. Perhaps on the lookout for some excitement in his life, he started to take part in Rosaleen’s occult rituals. For these she was naked apart from a skimpy apron, a shawl and a mask, or she wore a robe. She and her coven members shared a ritual meal of cakes and drunk wine from a horn, which was passed round the circle.

In some private rituals Goossens, Rosaleen and Greenlees went further: they were practitioners of Aleister Crowley’s “sex magick” in the hope of reaching higher states of consciousness by performing sex rituals. Crowley —or ‘Great Beast 666‘ as he called himself— was an English occultist and ceremonial magician, and had the reputation of being the wickedest man on earth.

Sheet music 'Elle avait un p'tit cad'nas'
Elle avait un p’tit cad’nas‘ by Valentin Pannetier & M. Désautés. Published by V. Pannetier (Paris, s.d.), cover illustrated by Leon Pousthomis.

Eugène Goossens and the occult couple corresponded excitedly about their magical erotic experiences. The threesome was into bondage, flagellation, cunnilingus, same-gender sex and taking erotic photographs.

The osculum infame illustrated in Francesco Maria Guazzo’s Compendium maleficarum, 1608. Source: Wikipedia.

In one of his letters Goossens talked about the osculum infame that he administered to Asmodeus, the demon of lust. The osculum infame or the kiss of shame is a ritual kiss given by a witch to a devil’s behind.

Sheet music cover for 'Asmodeus'
Asmodeus‘ by Julius Einödshofer. Published by Carl Gehrmans Musikförlag (Stockholm, s.d.), unknown illustrator.

Being aware that these letters were dangerous Goossens had instructed Rosaleen to destroy them. But she didn’t and hid them under a cushion of her settee. Together with bondage photographs showing Rosaleen and her lovers, the letters were stolen by a member of her coven. He tried to sell them to the tabloids whereupon a reporter of The Sun reported the theft to the police.

The police placed the unsuspecting Goossens under surveillance, even while he was abroad in England. When Goossens returned to Australia in March 1956, he was detained at the airport. Customs officials already knew they would find a large amount of ‘pornographic’ material which included 800 erotic photographs, books and rubber masks. Humiliated and in shock, Goossens instantly and naively pleaded guilty thus jeopardising his legal defence. A major scandal broke loose in puritanical and narrow-minded Australia of the fifties. The story was fodder for the tabloids. In disgrace, Eugène Goossens returned to Britain — his international career was ruined.

Please allow me to introduce myself…

Nom d’une Pipe! (*)

Publicity cardboard for Crüwell Tabak (Bielefeld)

This image of an advertising cardboard for Crüwell pipe tobacco serves as an intro to a special selection of sheet music covers from our collection…

Sheet music cover for 'Put On Your Slippers and Fill Up Your Pipe'
Put On Your Slippers and Fill Up Your Pipe‘ by Albert Von Tilzer, Ed. Moran and Will A. Heelan. Published by Broadway Music Corporation (1916, New York) and illustrated by André De TaKacs.

Sheet music "I'm Still in Love With You"
I’m Still in Love With You‘ by Walter C. Johnson. Published by Sherwood Music Company (1923, New York). Unknown illustrator/monogram.
Sheet music 'Back from the Front' (1915)
Back from the Front‘, a Rag One-step composed by Armand Dumas. Published by Swan & C° (London, 1915). Illustration signed M. H.
Sheet music cover by De Valerio 'Moussa Sidi-Bé'
Moussa Sidi-Bé‘ by Léon Amouroux and Lucien Boyer. Published by Salabert (Paris, s.d.) and illustrated by Roger De Valerio.
The Kid‘ composed and published by Auguste Bosc (Paris, 1928). Cover illustration by Clérices frères.
La belote‘ by Maurice Yvain, Albert Willemetz and C.A. Carpentier. Published by Salabert (Paris, 1924) & illustrated by Roger De Valerio.
Masta‘ by Christian Hartmann and Otto Carlmar. Publisher:  P. Gedde Knap in Oslo (s.d.). Unknown illustrator.
Matros-Valsen‘ by Carl Lindberg. Published by  Elkan & Schildknecht / Emil Carelius (Stockholm, 1916), cover illustration by C. Jacobsen.
Pepper and Salt‘ by Byjacco (aka Carl Bernhard Fritz Jacoby). Published by  Ed. Bote & G. Bock (Berlin, s.d.). Cover illustration by Breidenstein.
När jag kommer igen’ by Ernst Rolf. Lyrics and cover illustration by Martin Nilsson. Publication: Ernst Rolfs Musikförlags (Stockholm, 1924).
Pipe‘ – one-step-marche by Charles d’Arbor. Published by Buffet Crampon (Paris, 1923) and illustrated by Robert Laroche.

But who will be pipe smoking champion? (Ireland 1963)

(*) Nom d’une pipe is the french expression for ‘For Goodness’ sake!’ (see also: Nom d’un chien!)

Roger De Valerio: nom d’un chien!

Jicky – Fox-Trot Shimmy‘ by Lee Rudd. Published by Editions Francis Salabert (Paris, 1921) & illustrated by Roger de Valerio.
Cover of sheet music 'Ensueno' tango by Nozuod. Published by Editions Francis Salabert (Paris, 1926) and illustrated by Roger de Valerio.
Ensueno‘ tango by Nozuod. Published by Editions Francis Salabert (Paris, 1926) and illustrated by Roger De Valerio.
Sheet musi cover for 'La peinadora' paso doble by Luis Barta, published by Editions Francis Salabert (Paris, 1916), illustrated by Roger de Valerio.
La peinadora‘ paso doble by Luis Barta, published by Editions Francis Salabert (Paris, 1916), illustrated by Roger De Valerio.
Sheet music cover of 'Attends moi sous l'horloge' by Henri Christiné, Albert Willemetz, and Jacques-Charles. Publication of Editions Francis Salabert (Paris, 1923), cover illustration by Roger de Valerio.
Attends-moi sous l’horloge‘ by Henri Christiné, Albert Willemetz and Jacques-Charles. Publication of Editions Francis Salabert (Paris, 1923), cover illustration by Roger De Valerio.
Partitions musicales pour 'Si j'étais petit' by André Mauprey, René Nazelles, & Louis Lemarchand. Editions Francis Salbert (Paris, 1922). Cover illustrated by Roger de Valerio.
Si j’étais petit‘ by André Mauprey, René Nazelles, & Louis Lemarchand. Editions Francis Salbert (Paris, 1922). Cover illustrated by Roger De Valerio.
Partition illustrée 'Patches' fox-trot by Lee S. Roberts, published by Editions Francis Salabert (Paris, 1919) and illustrated by Roger De Valerio.
Patches‘ fox-trot by Lee S. Roberts and Will Callahan, published by Editions Francis Salabert (Paris, 1919) and illustrated by Roger De Valerio.
Partition illustrée 'J'en ai marre!' by Maurice Yvain, Albert Willemetz, & Georges Arnould. Published by Francis Salabert (Paris, 1921) and illustrated by Roger De Valerio.
J’en ai marre!‘ by Maurice Yvain, Albert Willemetz & Georges Arnould. Published by Editions Francis Salabert (Paris, 1921) and illustrated by Roger De Valerio.
Just a memory ( Rien qu’un souvenir)‘ by Ray Henderson, B. G. De Sylva & Lew Brown. Published by Editions Francis Salabert (Paris, 1927) and illustrated by Roger De Valerio.
Sheet music cover 'Princesita' composed by José Padilla and published by Editions Francis Salbert (Paris, 1926). Cover illustration by Roger De Valerio.
Princesita‘ composed by José Padilla and published by Editions Francis Salbert (Paris, 1926). Cover illustration by Roger De Valerio.
Sheet music 'J'ai voulu revoir' by Jean Boyer, Louis Lemarchand, and Léo Lelièvre. Editions Francis Salbert (Paris, 1927). Cover illustration: Roger De Valerio.
J’ai voulu revoir‘ by Jean Boyer, Louis Lemarchand and Léo Lelièvre. Editions Francis Salabert (Paris, 1927). Cover illustration: Roger De Valerio.
Illustrated sheet music 'Swanee River Blues' by Dave Stamper. Published by Editions Francis Salabert (Paris, 1923) and illustrated by Roger De Valerio.
Swanee River Blues‘ by Dave Stamper. Published by Editions Francis Salabert (Paris, 1923) and illustrated by Roger De Valerio.

Eh.., yes, there is a little dog. Look carefully.

Partition musicale illustrée 'Le Fox du canard' from the operette Vivette, by Joseph Szulc and Gaston Dumestre. Published by Editions Francis Salabert (Paris, 1924) and illustrated by Roger De Valerio.
Le Fox du canard‘ from the operette Vivette by Joseph Szulc and Gaston Dumestre. Published by Editions Francis Salabert (Paris, 1924) and illustrated by Roger De Valerio.