This beautiful art deco cover by Roger de Valerio represents the Rowe Sisters. The twins Pauline & Betty Rowe started their career in France around 1924. They were one of the several twin-sister acts emulating the immensely successful Dolly Sisters.
They were known to their fans as ‘the Greyhounds of Paris’. But
unlike the popular Dolly Sisters almost nothing is known about their personal lives, not even their nationality. According to newspapers of that time they were either American or English.
As stated by La Vie Parisienne in 1927, le tout Paris was “eagerly awaiting the return of the Rowe Sisters at the Casino de Paris after their success at the Alhambra in Brussels transformed them into stars.” But the leggy Rowe Sisters never became top of the bill and they stopped dancing when Betty married a hot actor and singer, Henri Garat in 1932. They met by chance in a train returning to Paris from the French Riviera and married shortly after. But she married the wrong guy.
Henri Garrat was known as “France’s most glittering matinee idol and film star” and was according to a then newspaper “the coqueluche of France, meaning that all the midinettes got whooping cough over him”.
A leading film actor in light romances during the 1930’s, Garat became a big star as the partner of Lilian Harvey. The cinema made him rich, very rich. He got more money than sense and led an opulent life with a yacht, several cars, a castle and too many friends who ate caviar by the spoonful at his table.
In the 1934 film Prince de Minuit, Betty Rowe got to play a small part together with her husband. He plays the role of a clerk in a shop selling records.
Interestingly the clip above shows —apart from a few stupefying film montages— that these shops offered a technical studio where you could cut your own record. In the next fragment of the same film Henri Garat sings Caricouli, a foxtrot composed by Maurice Yvain.
We also see Betty Rowe’s cameo: she’s a customer in the shop listening to him crooning. The clip ends with both dancing together on top of a giant revolving 78 rpm.
Betty’s career in film was short. She only appeared in minor roles in two other films. It is thanks to two stills of these other films that I was able to recognise her in the clip above. Makes me feel a top-noch archival sleuth, ahum.
Betty and Henri’s marital bliss was short-lived. Just as he sang in the film ‘Un Soir de Réveilllon‘:
J’aime les femmes, j’aime les femmes
Voilà mon vice, ma faiblesse et mon défaut.
in real life our handsome jeune premier also loved women. And these in turn found it hard to resist his charms…
Even while Betty was pregnant there were continuous rumours of affairs with other women. No wonder that five years later their marriage was over
Henri Garat would marry four times. And ultimately his extravagant lifestyle, his consumption of cocaine, his philandering, his marriages including one with a ‘Russian countess’, his divorces and also fraud brought him ruin. His stardom started to wane. As a result he suffered from depression and had to follow a detox. He opened a restaurant and a toy store, but it didn’t work out. At the end of his life he was discreetly assisted by La Roue Tourne, a charity for the unfortunates from the world of theatre. Supported by this association Henri Garat became a pathetic attraction in theatres. He even toured with a circus. Alas too often, the public didn’t recognise the big film star anymore. Henri Garat died in poverty aged 57.