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El Plesiosauro: Nessie in Patagonia

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El Plesiosauro‘, by Rafael d’Agostino, illustrator unknown, 1922.

The tango ‘El Plesiosauro’ was composed by Rafael D’Agostino and dedicated to Clemente Onelli (1864-1924), the Italian-born director of the Buenos Aires zoo. In 1922 a letter informed Onelli that an enormous animal had been spotted in a Patagonian lake. It had a huge neck like a swan, moved like a crocodile and left traces of large footprints. This was no doubt ample proof of a surviving specimen of the plesiosaurs, an order extinct at the end of the Cretaceous Period, approximately 66 million years ago.

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Left, the portrait of Clemente Onelli. On the right, the cover of El Plesiosaurio, tango by Arturo Terri (not in our collection) with a cartoon of Clemente Onelli riding a plesiosaur.

Onelli, a palaeontologist, hoped to find a new specimen for his zoo and arranged an expedition. To prove his point he had published accounts of other sightings well into the previous century. His case was backed by a Canadian student in divinity and his father who  wanted their fifteen minutes of fame. They reported witnessing the Patagonian monster twelve years earlier, in 1910.

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Article published in the Toronto Post, April 6, 1922

At the request of the Argentine Society for the Prevention of Cruelty to Animals, the Argentinian Minister of the Interior prohibited the capture of the beast. Onelli protested heavily against this decision in the ‘name of science’ and the expedition, armed with elephant guns and dynamite, plunged into the wilderness. Onelli himself did not participate because of health problems. The quest for the beast got worldwide media attention, such as in this article of The New York Times.

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Article published in The New York Times, March 7, 1922.

The expedition was even mentioned in an article of the Scientific American, titled Is the Argentine Plesiosaurus a Fake or a Scientific Marvel?’. The author concluded ironically that if the plesiosaur ever existed, it appeared to have fled elsewhereNeedless to say that the expedition was fruitless. This lead to much mockery and merriment as witnessed in this photo of the plesiosaur carnival float in 1923.

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Carnival float in Bariloche, Argentina, 1923. Source: Archivo Visual Patagónico

Plesiosaurs were large aquatic reptiles that lived at the same time as the dinosaurs. The first two plesiosaur skeletons were found by Mary Anning (1799-1847) an English fossil collector and amateur palaeontologist. Being a woman she never got the recognition she deserved during her lifetime. Mary came from a working class family in Lyme Regis. She never went to school but could read and write a little, and she drew rather well. Her father taught her how to find fossils on the beach and sell them to tourists. Mary hunted on the beaches and cliffs between Lyme Regis and Charmouth, part of the Jurassic Coast as it is called now.

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Mary Anning with her dog Troy who was killed during a landslide on one of her excursions.

When she found a special fossil she would send her drawing of it to potential buyers. One of Mary’s major discoveries was what we now call the plesiosaur. She found its skeleton in 1823 and made the following sketch for her fellow scientists and for possible buyers.

Mary_Anning_PlesiosaurusAccording to a science blog on the Guardian’s website the two persons on the photo below could well be Mary and her lifelong friend Henri de la Beche, a geologist. Although the supposition lacks evidence, it provides a nice picture to end our palaeontological post.

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The Geologists, 1843, Devon. Salt print by William Henry Fox Talbot. Photograph: The National Media Museum, Bradford

Further reading: Austin Whittall, Patagonian Monsters

Hop, Skip and Jump

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Meco Fox-trot‘ by Jan von Lindern, published by Rademaker’s in 1923.

This cover shows an elegant man and his equally refined lady friend teasing each other with a Meco milk chocolate bar. They seem eager to take a bite. The fox-trot was ordered by the chocolate factory Rademaker’s as publicity. The chocolate bar with a light blue wrapper was sold in tins. The brand name Meco was designed in a typical De Stijl yellow typeface: the M has rectangular corners and is rotated ninety degrees to form an E.

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Tin for Meco chocolate bars (1925- 1935)

Meco milk chocolate bars were made by Rademaker’s Royal Cacao and Chocolate Factory in The Hague, Netherlands. On the backside of the sheet music cover we are presented with publicity for their other specialities: Haga vanilla chocolate, Fenix Cacao and their most important sweet Haagse Hopjes.

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Left, backside of the cover with publicity for Rademaker’s products. Right, a tin of Fenix cocoa.

Haags-hopje-470x295Hopjes are coffee-flavoured candies. They are as Dutch as tulips and were named after baron Hendrik Hop (1723-1808) who let inadvertently simmer a mixture of coffee, cream and sugar too long on his stove until it caramelised. Baron Hop liked this sweet so much that he ordered his baker Theodorus van Haaren to recreate these lumps of coffee. Baron Hop was very enthusiastic and offered the sweets to all his classy and noble guests. The lumps of coffee  were soon exported as a luxury product all over Europe. First they were sold as Baron Hop’s bonbons.

hopjes blikFrom 1880 on they were called Haagse Hopjes. The hopjes became so popular that a real hopjes war started as many brands claimed to be the producer of the original hopje. Rademaker’s was but one of them, although they definitely were the first to wrap the sweets into an individual paper.

familie raThe Rademaker family, in the middle Johannes Rademaker (1843-1916) founder of the Rademaker's Company - photo Haagse Beeldbank, about 1900demaker
The Rademaker family, in the middle Johannes Rademaker (1843-1916) founder of the Rademaker’s Company – around 1900 (source: Haagse Beeldbank).
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Although the hopjes were very popular, the hopjes stall at the beach in Scheveningen seems not very successful. The people on the beach definitely prefer a lemonade or other sweets. 1905 (source: Haagse Beeldbank).
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Rademaker’s factory, 1891 (psource: Haagse Beeldbank).

The first Rademaker’s factory in The Hague burned down in 1901 and a new one was built elsewhere in the city with a remarkable oriental-looking front.

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Rademaker’s factory, about 1910 (source: Haagse Beeldbank).

At the end of the 20s the factory proved too small and again a new one was built, this time as a modernist structure.

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Rademaker’s factory, about 1930 (photo Haagse Beeldbank).

An early commercial dating back to 1925 shows us the production process of the Meco chocolate bars and of the Haagse hopjes.

Today the Haagse Hopjes aren’t Dutch anymore. They are owned by a Swedish firm and produced in Italy. In Belgium we are still producing a coffee-flavoured sweet in a beautiful wrapper, the Caramella Mokatine. It is made from the original 1925 recipe by Confiserie Roodthooft in Antwerp.

mokatine enkelAs far as we know Roodthooft did not order any sheet music but we can imagine how the cover would look…

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Left, ‘Le Caid‘, foxtrot by Raoul Moretti, illustrated by de Valerio, published by Salabert in 1923. Right, ‘Beduinens Karlekssang‘, foxtrot by Ejnar Westling illustrated by Tiberg, published by Elkan & Schildknecht in 1925.

Springtime: Tiptoe Through the Tulips

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Tip Toe Through the Tulips‘ from Gold Diggers of Broadway published by M. Witmark & Sons in 1929.

Nick Lucas a popular crooner and jazz guitar player introduced the song Tiptoe Through the Tulips in the film Gold Diggers of Broadway. Nick Lucas was the first to make guitar playing into an act. In 1922, while others were still playing ukuleles, mandolins and banjos, Lucas made the first solo jazz guitar record for Pathé.

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Nick Lucas (1897-1982)

Gold Diggers of Broadway was a 1929 Warner Brothers popular musical film, a remake of the 1919 play Gold Diggers. Warner Brothers had already made a silent version of the play in 1923 but that film got completely lost. Apart from a few minutes, found in England in the late eighties and including the song Tiptoe Through the Tulips, the 1929 film remake was also lost. Luckily the entire soundtrack of the film survived on Vitaphone track. Gold Diggers of Broadway was a lavish, all-Technicolor musical. It was one of I929’s biggest hits. It was a stage-show-within-a-show to cope with the many musical numbers combined with romance and gags. The plot centers around some New York chorus girls desperately seeking a wealthy husband. The optimistic film premiered just before the big Wall Street Crash of October 1929.

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A still from ‘Gold Diggers of Broadway’ film in 1929. (Photo from http://www.virtualvictrola.com)

The newspaper The Daily Oklahoman used the still above to announce ‘the first all-talking, all-singing, all-dancing, and all natural color photoplay’ in Oklahoma. As if that wasn’t enough, it added: ‘with a chorus of 100 dazzling beauties!’. The joyful dancing girl from the still was also used to enliven the front of the film poster. We already published another version of the film poster, together with a Nick Lucas sheet music cover (see our ‘Cryin’ For The Carolines’ post).

gold_diggers_of_broadway_xlgNow, listen and see Nick Lucas perform his serenade, Tiptoe Through the Tulips. Standing under a huge moon he sings with a soft, sweet, appealing voice. If you don’t have time to view the full serenade-at-the-balcony and the little tap-dance, be sure to fast-forward to minute 3 in order not to miss the magic moment of the chorus-girl appearing out of the tulips in the giant greenhouse. Tiptoe Through the Tulips was actually written for this film by Joseph Burke and Al Dubin. It was among the first recordings to sell over two million discs as did the sheet music. Nonetheless the film was no springboard to a film career for Nick Lucas.

Forty years later, in the late 60s, Tiny Tim (1932-1996) made an infamous version of Tiptoe Through the Tulips in his typical high falsetto tenor. In 1969 when Tiny Tim married a 17-year old girl live on The Tonight Show, Nick Lucas sang Tiptoe Through the Tulips for him with an audience of 40 million television viewers.

Tiptoe Through the Tulips was also used in Warner Brothers’ very first Looney Tunes cartoon, starring Bosko in 1930. The playful instrumental version of our song starts at around 1:35. Enjoy !