A festive couple finds an intimate moment far from what we imagine to be a frenzied carnival parade or costume ball. The Swedish illustrator Tornborg (who’s life we were unable to trace…) succeeded in capturing this subtle moment with a ‘simple‘ drawing.
Here are a few more carnivalesque sheet music covers that are at odds with the obligatory exuberance of carnival parties. If not very similar to our intro-cover, they at least share the same atmosphere of privateness…
The carnival is not yet over. It is still too early to go home. So let us enjoy —far from the noisy and madding crowds— a courting pantomime between Pierrette and Columbine, and an exquisite dance between her and Harlequin…
All aboard! Here is your fast ride to the Christmas excitement. Prepare for throngs of frenzied shoppers, glühwein, noisy Santas and their tiresome ho ho’s.
This week it is composer-businessman E. T. Paull who sets the start of our story. Edward Paull (1858-1924) was an American publisher who master-minded a perfect mix of image and music. An attractive and dramatic cover is the best way to market your music, he must have thought. On the other hand, he also wanted his compositions to tell stories, and to that purpose he even added explanatory notes inside the sheet music!
Sheet music from E. T. Paull has long been considered as the crème de la crème amongst US collectors, not in the least because Paull boasted on using the five colour process of his lithographers A. Hoen & Company. But ink transfer from the stone to the paper is a delicate process. It can go wrong.
I am not a connoisseur of E. T. Paull’s work. That’s why I refer to interesting sites on the subject at the end of this post.
Unfortunately, the topic of Christmas has inspired many illustrators and publishers to dull and bland covers. However, some designers went out of their way to avoid stereotypes and succeeded in creating striking cover illustrations. For your entertainment and fine taste, we selected some of these ‘original’ sheet music. Consider it your Christmas gift from Images Musicales.
Happy Christmas and have a good time!
Today’s post is not a usual story. Rather, it is a dreamy walk through enchanted sceneries of the kingdom of birds and a few fluttering bats. The very special songbook Chansons des Oiseaux was published in 1898 by the Société française d’éditions d’art L.-Henri May.
This monsieur Louis-Henry May may have given his venture a rather pompous title, but it well reflects the care and attention that was given to the book: the unusual oblong format, the peaceful cover image without room for names nor other text than the title, the decorative pastedown to finish the inside of the hardboard cover, and last but not least the delicate full-page illustrations by Georges Fraipont (1873-1912).
We have already written about ‘Recto Verso de Luxe‘ where sheet music is illustrated on both the front and back cover to form one large image when you fold open the sheet. This is one of these special covers.
The book collects 10 songs composed by Georges Fragerolles (1855-1920), who is famous for being the maestro of the Chat noir, having enlivened at the piano many shows of the Théatre d’ombres. The lyrics of four songs were written by Fragerolles himself.
In our collection the name Fraipont is familiar. Gustave Fraipont (1849-1923) created a few sheet music covers. It was however his son Georges who illustrated this book. It is rather hard to discern the work of Gustave from that of Georges, as they both use ‘G. Fraipont’ as signature, and their style is comparable. Besides, Georges was also a composer. On at least one sheet music cover both father (illustrator) and son (composer) appear together. Yes, also with birds.
But let us continue with the book. Here is the title page.
And here follows your oxygen, your antidote to nastiness, negativity and gloom: ten lithographs, so delightfully charming that it is hard to imagine that they are but the result of a combination of ink, brush and paper.
Savour and rejoice!
The book was printed by R. Engelmann, Imprimeur-lithographe
(16 rue Nansouty, Paris)